Here are some of the characters from the comic Faunamancer Domination Ascendancy written by Benjamin Marra & drawn by Michael DeForge. I’ve been gearing up to do some commission work and some fan stuff, so what better way to get into it than to do these amazingly designed characters? F.D.A. is a favorite of mine (which recently appeared in #11 here, but catch a page there), and I’d normally hope for more, except it sorta has the ultimate ending. Also, this specific cast is a mere drop in the vast sea of comics these guys put out individually. It’s sick… seriously, it’s crippling to even think how about how they must do it.
Tag: Michael DeForge
There’s nothing like having a stack of comics that you really enjoy. Even visually, a handful of comics has unbeatable appeal to me. Not a stack of hardcovers or a window of bookmarked webcomics, but a bunch of physical issues varying in shape, size, and pedigree.
Since it’s the season for lists, here’s a rundown of my modest stack of off-the-beaten-path comics I’ve liked throughout 2011 (and some that were acquired mere days ago). All of them can easily be purchased from the artists themselves.
Note: First half of the list are the ones I’ve gotten throughout the year. Second half is from this past weekend’s BCGF.
Matthew Allison had me as a fan since his work on Covered. This comic mostly features material from his webcomic, but its solid presentation here makes it worth seeking out a copy. He’s recently been selling original art at beyond reasonable prices.
Kat Roberts, who has also made her stamp on popular characters, handmade this comic with its cover treatment and sewn binding. I don’t want to give away the goodness of the main feature, but you can see a little bit more here.
One of the best, Nick Bertozzi continues to serialize Drop Ceiling in the last one-man anthology standing. He’s been holding down that fort for a while, and I want to live to see it reach issue 100.
Space & Gravity
Sarah Crowe drew this great but too short of a comic. She told me she’s working on a longer collection of pieces (while working on other things), so that’s one more to look for in the next year.
Open Country #1
You can follow the million things that Michael DeForge is doing on his blog, and you won’t be let down by any of it. It’s difficult to pick a favorite, but I was really into Open Country. I’m glad I found the follow up at this past weekend’s BCGF!
Kid Mafia #1
I got OC #2 from DeForge. He also had Kid Mafia, which is amazing for its own set of reasons. Nice to finally meet him, too.
[Everything by] Traditional Comics
If you’re not convinced about Benjamin Marra and what he does, go here. Actually skip it. There’s no hope for you if convincing is needed. Sometimes I treat his Night Business series as a light at the end of a tunnel. Don’t you?
I got tons of stuff at Marra’s table, including this new comic by Madeleine Bliss (read it here).
Scepter Gem Magic Universe Part 1
Brother Sasquatch Book One
Tim Hamilton has taken a select few passages from his online strip which is somewhat serialized at Cut Bleed. The guy can draw anything, and does. I can’t believe he makes one of these every morning in a dream state.
Regarding BCGF itself, I’m glad that I was able to stay a little longer than I anticipated (I’ve missed out before due to work). I was happy to finally have met Josh Simmons, Tom Spurgeon, and Adam McIlwee. Also got the latest Smoke Signal which is always welcome. Make sure to get your hands on a copy somehow (contact Desert Island) as it’s one of the finest collection of cartoonists around.
The next day I spent part of the afternoon going to a “place” where comics were unearthed, dusted off, and gleefully purchased. I went with the few people that never fail to reaffirm my hope in humanity and yeah, I got some more amazing things there.
Since the feeling of dancing between the bright/upcoming/homegrown and the obscure/processed/forgotten is a thrilling and pretty hilarious thing, I suspect that the experience will be well documented by the gentlemen I experienced it with. Look for it.